By Roger Whitson, Guest Editor Two hundred and fifty years after William Blake’s birth, his work continues to have a very strong visual resonance. Artists and…
By Arkady Plotnitsky1 By Way of a Prologue Let us consider William Blake’s 1808 drawing “The Vision of the Last Judgment” (Fig 1). If there could…
By Nelson Hilton I suggest that William Blake was an initial reader of William Wordsworth’s first published book of poetry, An Evening Walk (1793 – published jointly…
By Ron Broglio It is something of a novelty to imagine a conversation between the works of William Blake and the contemporary graphic novel. It…
By Esther Leslie 1. Infernal Lines In The Marriage of Heaven and Hell words, images and lines alike assert themselves on the page.1 The page’s surface is brimful…
By Roger Whitson William Blake and Alan Moore stand on a precarious precipice in the globalizing capitalist world. Both are rebels, prophets, religious and occultic sages.…
By Donald Ault Note: The following essays originally appeared as an afterward and appendix in Donald Ault’s Narrative Unbound: Re-Visioning William Blake’s The Four Zoas, Station…
By Bryan Talbot and Roger Whitson Bryan Talbot has been a driving force in the comics industry since the late 70s, when he created the Brainstorm Comix series…
By Matthew Ritchie Even though I grew up right next to Mortlake Church, where John Dee lies buried but unmarked; even though I spent seven years…
By Joel Priddy