By Elizabeth Sandifer and Tof Eklund The question of introducing a special issue on Neil Gaiman seems almost incidental. Gaiman is one of those comics creators, along with…
By Meredith Collins, Temple University Collaboration complicates classification and ideas of genre. In Neil Gaiman’s text and Charles Vess’s artwork, and in their combination, Stardust exhibits a particular…
By S. Alexander Reed There are remarkably numerous textual cross-pollinations and direct references that writer Neil Gaiman and musician Tori Amos make to one another’s creative…
By James R. Fleming In the immediate aftermath of the September 11th 2001 attacks, many literary and cultural critics pronounced postmodernism,1 as both an artistic and an…
By Clay Smith When assessing Neil Gaiman’s work, Richard Walsh argues that Gaiman’s absolute control of the narrative elements in The Doll House transcends and redefines what…
By Matthew Feltman Enigmatic sphinxes riddling their dreamscape realities, Dave McKean and Neil Gaiman join forces once again, creating MirrorMask, McKean’s feature film directorial debut, scripted by…
By Rodney Sharkey1 I am also aware that we are not yet able to make a survey of the whole of the new acquisitions which these…
By Jon Saklofske There is a lingering irony in the proliferation of academic interest in and acceptance of graphic narratives as “serious” story spaces since Art…
By Zuleyha Cetiner-Oktem Neomedievalism and the Graphic Novel The medieval era, elapsing roughly between the fall of the Roman Empire and the beginning of the Italian…
By Aaron Kashtan Sanders, Joe. The Sandman Papers: An Exploration of the Sandman Mythology. Introduction by Neil Gaiman. Seattle: Fantagraphics Books, 2006. Much like a night’s worth…